Growing up in Noblesville, Indiana, I found my way to the stage at five years old and never really left. What began in community theater has taken me across the country and around the world — and I'm still going.
Tap was my first love, and it introduced me to some of the form's great masters: Brenda Buffalino, Sam Weber, Maurice Hines, Greg Russell, and Bril Barrett, at festivals in Chicago, Detroit, and New York. At fifteen I added ballet, earning two consecutive summers at San Francisco Ballet School and competing at Youth America Grand Prix, where I performed my Flower Festival pas de deux at both Nationals and Finals in NYC.
In fall 2020 I moved to New York to complete The Institute for American Musical Theatre's intensive two-year program, where I trained in performance across every discipline — and learned, just as importantly, how to walk into an audition room with confidence and authenticity.
Since graduating in 2022, I've worked steadily in professional theatre: swinging as the male cover in Catch Me If You Can at Rev Theatre, performing with Broadway By the Year at The Town Hall, understudying Phil Davis in White Christmas at Little Theatre on the Square, completing two Royal Caribbean contracts — ensemble and understudy to Corny Collins/Wilbur in Hairspray on Symphony of the Seas, and ensemble and understudy to Eugene in Grease on Harmony of the Seas — serving as Swing and Assistant Dance Captain on the Broadway National Tour revival of Elf the Musical, and most recently joining the Broadway National Tour of Beetlejuice as a Temporary Ensemble Cover.
Now based in New York, I teach private dance lessons to performers at every level while continuing to pursue my own performance career. Every step of this journey has shaped the performer I am today.
- Broadway National Tour
- Royal Caribbean
- IAMT Graduate
- Teaching & Coaching